The Red Bat is back from the picture framer, and here it is:
It has a very plain wide black frame, and isn't glazed. It's also intended to stand, not hang on a wall.
I think it looks smart!
Sunday, 31 August 2014
Friday, 29 August 2014
'Jungle Book' slip case - the top of the building
The top section of the building is in two stages, but I forgot to take a photo of the first one - the outer edge in gold only - so here it is with both that and the inner detail couched with the same blue as the base:
To finish it off, I added some beading: red seed beads on the top of the domes and in the little bulges on the sides, and gold seed beads at the very top:
The 'building' motif forms a frame for the central area, and I'll be starting that next.
To finish it off, I added some beading: red seed beads on the top of the domes and in the little bulges on the sides, and gold seed beads at the very top:
The 'building' motif forms a frame for the central area, and I'll be starting that next.
Tuesday, 26 August 2014
'Jungle Book' slip case - turrets
The turrets on the top of the building are in two stages (or three, really, but the last one won't happen until all the goldwork is done). The base of the turrets are in the same red as before, and here they are:
The domes are in a new colour, a strong green, Madeira stranded cotton no. 1304:
The domes:
There are also features on top of the domes (I'm not sure what to call them. Finials, maybe), and they're in gold, with no colour:
The very top bits will be done later. The top of the building next!
The domes are in a new colour, a strong green, Madeira stranded cotton no. 1304:
The domes:
There are also features on top of the domes (I'm not sure what to call them. Finials, maybe), and they're in gold, with no colour:
The very top bits will be done later. The top of the building next!
Saturday, 23 August 2014
'Jungle Book' slip case - the sides of the building
The sides are in gold, without the colour, so I'm couching the gold thread with regular sewing thread, Gutermann no. 488:
The outside of the sides:
and the inside:
It's starting to get a bit of shape to it now.
The outside of the sides:
and the inside:
It's starting to get a bit of shape to it now.
Tuesday, 19 August 2014
'Jungle Book' slip case - the base of the building
Time for some goldwork. For the building motif that forms a frame for the main design in the centre, I'm couching imitation Japanese gold thread no. 8, using bright colours for the couching thread.
Starting at the bottom, I'm using a nice bright blue - Madeira stranded cotton no. 1102 - for the couching:
Here's the bottom section:
The next level up is in red, no. 0211:
And done:
The couching stitches are enough to give a hint of colour without taking away from the gold.
Starting at the bottom, I'm using a nice bright blue - Madeira stranded cotton no. 1102 - for the couching:
Here's the bottom section:
The next level up is in red, no. 0211:
And done:
The couching stitches are enough to give a hint of colour without taking away from the gold.
Friday, 15 August 2014
'Jungle Book' slip case - getting set up
With the design drawn up, time to get started. First, and as usual, I made a transfer of the design, ironed this onto some fine linen, and used this to line the fabric that I'm using for the front:
I'm using a silk dupion in a shade called 'Laurel Leaf' from Hansson of Guildford. They also had a 'Jungle Green', which sounded more appropriate, but sadly was too dark.
I'm doing the embroidery for this in two stages; here's the first in little running stitches:
Some of these stitches are a bit wobbly, but never mind - is any are still showing once I've stitched over them properly they can be picked out easily enough.
I'm using a silk dupion in a shade called 'Laurel Leaf' from Hansson of Guildford. They also had a 'Jungle Green', which sounded more appropriate, but sadly was too dark.
I'm doing the embroidery for this in two stages; here's the first in little running stitches:
Some of these stitches are a bit wobbly, but never mind - is any are still showing once I've stitched over them properly they can be picked out easily enough.
Monday, 11 August 2014
'Jungle Book' slip case
I love books. I also love book illustration, and over the years have collected quite a few illustrated books. These are often children's books, though not always, but they're beautiful objects whoever their intended audience.
I've made a few slip cases - a cover to protect a book that it can slide in and out of, rather than something attached to the book itself - for books for myself and others in the past, but I haven't made one in ages. Time to change that!
I'm going to make a slip case for The Jungle Book, illustrated by one of my favourite illustration artists, Nicola Bayley. As usual for a slip case, I want something that reflects the book it's for, and in this case I'm basing the design on the cover art.
Here's the front of the book:
(it's a bit greener than that in reality)
And the back:
It's not all that big (about 20cm by 24cm, or 8" x 9.5"), so there's not really room to get a great deal of detail on. As such, I've taken the building (temple? palace?) from the front and Mowgli sitting under a palm tree from the back, and added them together:
I don't know about you, but that says 'goldwork' to me!
I've made a few slip cases - a cover to protect a book that it can slide in and out of, rather than something attached to the book itself - for books for myself and others in the past, but I haven't made one in ages. Time to change that!
I'm going to make a slip case for The Jungle Book, illustrated by one of my favourite illustration artists, Nicola Bayley. As usual for a slip case, I want something that reflects the book it's for, and in this case I'm basing the design on the cover art.
Here's the front of the book:
(it's a bit greener than that in reality)
And the back:
It's not all that big (about 20cm by 24cm, or 8" x 9.5"), so there's not really room to get a great deal of detail on. As such, I've taken the building (temple? palace?) from the front and Mowgli sitting under a palm tree from the back, and added them together:
I don't know about you, but that says 'goldwork' to me!
Friday, 8 August 2014
Red bat - stretching and mounting the embroidery
I want to get this framed, but I'll mount it onto card myself before taking it to the framer. No surprises here but the usual routine.
Damp stretching:
Cutting some mount board to the right size (20cm x 20cm, or 8" x 8"):
Sticking some wadding to it with 505 fabric spray glue:
Stretching the embroidery round it and lacing the back (complete with name tape):
Done!
My usual picture framer is on holiday at the moment so I won't be able to get it framed for a couple of weeks, but once he's done it I'll show you how it turned out.
Damp stretching:
Cutting some mount board to the right size (20cm x 20cm, or 8" x 8"):
Sticking some wadding to it with 505 fabric spray glue:
Stretching the embroidery round it and lacing the back (complete with name tape):
Done!
My usual picture framer is on holiday at the moment so I won't be able to get it framed for a couple of weeks, but once he's done it I'll show you how it turned out.
Tuesday, 5 August 2014
Red bat - stitching finished
The lower half of the background stitched through from the back:
And stitched properly:
Finished!
Well, the sewing is, anyway. I need to mount it on some board ready for framing next.
And stitched properly:
Finished!
Well, the sewing is, anyway. I need to mount it on some board ready for framing next.
Friday, 1 August 2014
Red bat - half the background
Pressing on, it's the background next. The top half of it marked through from the back:
And over-stitched:
As the background design is quite fiddly (the whole thing is quite small) I've gone for one strand of stranded cotton and two of the machine embroidery thread, to make the lines a bit finer. It's still awkward to work with, though.
Still, over half way already - just the bottom half of the background design to do.
And over-stitched:
As the background design is quite fiddly (the whole thing is quite small) I've gone for one strand of stranded cotton and two of the machine embroidery thread, to make the lines a bit finer. It's still awkward to work with, though.
Still, over half way already - just the bottom half of the background design to do.
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