The shading is coming along. A bit more added, to the left hand half:
This uses one strand of 1910, as before, but with one strand of 1908 (the same shade as used for the outline).
The second half too:
That's the shading done - time to start filling in the rest next.
Wednesday, 29 October 2014
Wednesday, 22 October 2014
Acanthus leaf sample - a bit of shading
Dear me, it's been a long time since my last post - I've been rather busy with other, non-sewing, things, so sorry about that. I'm getting back to my stitching now, though, so things should get back to normal soon.
I've made a start on adding some colour, starting with the darkest shade, Madeira 1912, at the edges of the leaves:
I then started the shading, adding some more stitching using one strand of 1912 and one of 1910:
More shading next.
I've made a start on adding some colour, starting with the darkest shade, Madeira 1912, at the edges of the leaves:
I then started the shading, adding some more stitching using one strand of 1912 and one of 1910:
More shading next.
Labels:
Long and short stitch,
Shading,
Surface embroidery
Thursday, 9 October 2014
Acanthus leaf sample - colours and outlining
With the design transferred and painted, I put it on a frame ready to stitch:
(sorry about the rather harsh lighting in that photo - I'm not sure what happened there).
I'm using three shades of Madeira stranded cotton: nos. 1908, 1910 and 1912.
As the palest shade, 1908, will be the most used of the three, I used that to outline the design in split stitch:
Next time, I'll start to fill it in.
(sorry about the rather harsh lighting in that photo - I'm not sure what happened there).
I'm using three shades of Madeira stranded cotton: nos. 1908, 1910 and 1912.
As the palest shade, 1908, will be the most used of the three, I used that to outline the design in split stitch:
Next time, I'll start to fill it in.
Sunday, 5 October 2014
Acanthus leaf sample
After the Apple Tree fire screen, I want to do a couple more small sample pieces using the same techniques, to play about a bit with the shading and see what works. The first one I'm going to do is a classical acanthus leaf design:
While the fire screen used quite bold colours, I want this to be more subtle, and will be using a 'coffee and cream' colour scheme.
First things first, though. As previously, I'm working this on gold organza, and will cut the completed embroidery out and apply it to a background. I traced the design onto the organza (with a pen this time, rather than the almost-invisible pencil I used last time):
And off the design:
I then painted this with diluted acrylic paints:
This is still on the paper so the colours look stronger than they will once it's come off, but it shows the shading I'm aiming for quite nicely.
While the fire screen used quite bold colours, I want this to be more subtle, and will be using a 'coffee and cream' colour scheme.
First things first, though. As previously, I'm working this on gold organza, and will cut the completed embroidery out and apply it to a background. I traced the design onto the organza (with a pen this time, rather than the almost-invisible pencil I used last time):
And off the design:
I then painted this with diluted acrylic paints:
This is still on the paper so the colours look stronger than they will once it's come off, but it shows the shading I'm aiming for quite nicely.
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